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May 9, 2018 — By

WWD – Just weeks after being introduced as the latest brand ambassador for Chanel, Margot Robbie has stepped in front of the lens of creative director Karl Lagerfeld to appear in her debut advertising campaign for the French luxury house.

The Australian actress has been selected as the face of Chanel’s first Coco Neige collection, set to hit Chanel boutiques in July and August in tandem with its fall ready-to-wear. The line, dedicated to winter sports and après-ski, mixes technical pieces with classic Chanel codes like tweed, leather and camellia motifs.

Robbie is pictured against a background of blue sky and clouds wearing items including a soft chunky sweater, a parka or a down jacket. The eight visuals will break from June 10 in the July editions of leading international magazines.

“This shoot was one of the greatest experiences of my career. The energy and vibe on set was so wonderful and collaborative,” Robbie said in a statement.

“One of the first things Karl Lagerfeld said to me was that we never need to take ourselves too seriously. He has such a creative mind and he knows exactly what he wants and the minute he captured it, we were moving onto the next shot. It was amazing. Karl Lagerfeld is a creative mastermind. I already knew he was a genius but to be able to spend time with him in person, I now know he is also just a wonderful human being,” said the actress, who flew to Paris last week to attend the Chanel cruise show and shoot the campaign.

 

May 7, 2018 — By

NISSAN PRESS ROOM – Academy-award nominated actress Margot Robbie pulls on a wet suit and uses her love of surfing to inspire people to live more sustainable lives in her latest film for Nissan.

As Nissan’s Electric Vehicle and Sustainability Ambassador, the actress, producer and businesswoman has composed an open letter to encourage people to make more sustainable energy choices.

Robbie, who performed the surfing sequence herself, is seen enjoying the early morning waves as she talks of creating a “better world for ourselves and everyone who comes after us.”

With offshore wind farms and solar panels currently accounting for two-thirds of new power added to the world’s grid in 20161, Robbie explains that “we all have the power to make a change.”

“I hope I can play a small role in inspiring people across the globe to explore alternative forms of energy and make the switch to drive a better future for everyone,” said Robbie. “The point is, we can all make a difference and we don’t need to wait for others to do it for us.”

Robbie recently helped Nissan unveil its new Formula E car to a VIP crowd at an event in Los Angeles, to celebrate an exciting era for Nissan as it prepares to enter the ABB FIA Formula E Championship in the 2018/19 season. The move will benefit all drivers – as Nissan has committed to taking lessons learned on the track into future commercial electric vehicle development.

“Nissan is committed to pioneering a future which empowers consumers to make the right choices in how they use and store energy,” said Gareth Dunsmore, electric vehicle director, Nissan Europe. “Our LEAF and e-NV200 models are not only cleaner drives, they become mobile energy units too – the used batteries from these vehicles are put to good use as part of our xStorage energy storage solution which provides power to homes and even football stadiums across the world.”

Nissan’s global electric vehicle sales jumped 28% last fiscal year, when LEAF confirms its position of world’s best-selling electric vehicle. Nissan has sold more than 320,000 LEAFs since the model was first introduced in 2010.

Gallery Links:
 Advertisements & Campaigns > Nissan > 2018: Nissan EV (Promotional Shoot)

Advertisements & Campaigns > Nissan > 2018: Nissan EV (Commercial)

March 9, 2018 — By

The Australian actress wears a Karl Lagerfeld-designed gown for her first Best Actress nomination.

As if Oscar day wasn’t big enough for Aussie actress Margot Robbie, who was attending the show as a nominee for Best Actress for her starring role in I, Toyna, on top of that immense honor, Chanel announced on the same day she has become an ambassador for the iconic French fashion house.

To begin their partnership, the first-time nominee is expected to wear a custom Chanel Haute Couture dress made by Karl Lagerfeld himself. The actress’ stylist Kate Young said on Saturday that she wanted Robbie’s look for the Oscars to highlight her youth and be “very cool and representative of her as a person.

The intricate gown took more than 550 hours of work, according to Chanel, and is worn with Chanel Fine Jewelry as well as Chanel makeup. Said Young, “Sometimes evening gowns for the Oscars can be aging, in a way, with heavy embroidery or heavy jewelry. The embroidery on this dress is really modern and interesting.

She also hinted that Robbie’s wearing diamonds for the occasion, “because I love the energy into big stones.” Wearing large stones, she added, can make one “look like the Queen of England in a hot second, so part of it was finding diamonds that felt cool and authentic.

THE HOLLYWOOD REPORTER


Gallery Links:
– Photoshoots & Portraits > Photoshoots in 2018 > #013 Chanel

– Screencaptures > Photoshoots > Chanel – 2018

March 3, 2018 — By

Margot Robbie is featured in the March issue of the German magazine ZeitDigital scans from the issue together and the photoshoot have now been added to the gallery. Check them out!


Gallery Links:
MAGAZINE SCANS > 2018 > ZEIT MAGAZINE
PHOTOSHOOTS & PORTRAITS > PHOTOSHOOTS IN 2018 > ZEIT MAGAZINE

February 24, 2018 — By

THE ENVELOPE – “I, Tonya,” the Craig Gillespie-directed biopic about Tonya Harding, the figure skater banned from competition for life for her connection to a 1994 attack on fellow skater Nancy Kerrigan, has brought its stars — Margot Robbie, who plays an unsinkable Harding, and Allison Janney, as her sharp-tongued mother, LaVona — Oscar nominations, critical acclaim and, not surprisingly, a newfound love for the Winter Olympics. “We’re watching men’s half-pipe,” reports Robbie, jet-lagged and talking via speakerphone while sitting alongside Janney in a London hotel room. “We’re just mesmerized.”

The pair were in town to attend the BAFTAs, where they were both nominees. Before heading off to a party, they took time out to talk about the film’s more nuanced examination of Harding’s life (domestic violence, the skating world’s contempt for her working-class roots), Janney’s annoying parakeet costar and the reaction Robbie, an “I, Tonya” producer, had during her initial reading of Steven Rogers’ script.

It’s so easy to dismiss these characters and their feelings. But by the end of it, I was devastated, angry and frustrated for them. I’d laugh out loud at something, then immediately feel disgusted with myself that I found it funny,” says Robbie. “To be able to let those feelings creep up on you, instead of being told to feel them? That’s a real art form.”

Parsing what’s true or false is a daily struggle of late. How much do you believe your characters?

Robbie: I knew we’d never know exactly how it went down. Twenty years later, everyone had completely different recollections of the same thing. Truth and reality had parted ways. My character’s truth was not necessarily the reality of the situation. But her version of the truth was far more interesting to me than the facts.

Janney: What made it so fun was the juxtaposition of everyone’s truth. You see LaVona throw a knife at her daughter, then cut to me saying, “What family doesn’t have their ups and downs?” Her truth was that she was a good mother, she gave her daughter an opportunity, and her daughter screwed it up by picking the [wrong] man. Where the reality is? I don’t know.

Talk about one of the villains of the film: The classist United States Figure Skating Assn.

Robbie: Real-life Tonya has been very vocal in past interviews about her feeling that she never had a chance with them to begin with. I really wanted the character to be constantly seeking validation from people who wouldn’t give it to her — her mom, her husband, the skating association. The more they rejected her, the more it mattered to her that they accept her.

For all her ghastly parenting, Tonya’s tippling, four-times married mother has a few tiny glimmers of humanity.

Janney: Steven peppered them in there, thankfully, because otherwise she’d be too much to take. There’s a scene in the diner, the one where Tonya, needing her mother, comes to her and you get a glimpse of what [LaVona’s] childhood must have been like. You see a woman disappointed by life and who was probably abused, because abuse tends to be cyclical. She’s filled with resentment and anger, who doesn’t know how to love or be loved. That was a very redemptive moment for me.

Margot, you met with Tonya in Portland just before production began. What were you hoping to learn?

Robbie: I didn’t go there with a list of questions or holes in my backstory that I needed to fill in. I wanted to meet just out of respect for her. There’s an added feeling of responsibility and obligation when you tell a real life person’s story. But I also wanted her to know that I was going to be playing a character in a film. The most helpful thing was watching her talk about her son, which she was very quick to do. She loves her son and has found a peace in her life with her family.

Allison, walk us through the scenes where LaVona, hooked up to an oxygen tank, addresses the camera while a scene-stealing parakeet is perched on her shoulder.

Janney: It was all done in one afternoon. The bird was fascinated with that breathing tube, and he started pecking at it. I knew I couldn’t stop. We didn’t have another day to [film those scenes]. So I just kept talking. He kind of fueled me with his constant pecking. It was so much fun to do: What I was imagining was that I was speaking to God or whoever is going to determine whether [LaVona] goes to heaven or hell. My side of it was, “Well, I gave that girl everything.”

Were either of you surprised when Tonya recently told ABC that she “knew something was up” before the attack?

Robbie: Not necessarily. The way I played the character, and this isn’t based on fact, but just a personal decision, was that she probably heard [her ex-husband] Jeff and [his friend] Shawn coming up with schemes all the time, crazy things, and she never took any of that seriously, because it never came to fruition.

Allison, you didn’t meet Tonya until the L.A. premiere, correct?

Janney: She came up to me at the after-party and said, “You nailed my mother.” Steven told me that was the only thing [Tonya and Jeff] agreed on, how LaVona was. I felt happy to have her approval and also very, very sad. So I gave her a hug and said, “Thank you for saying that and sorry for having to go through everything you went through.”

Margot, you and Tonya keep in touch. Have you noticed a difference since the film was released?

Robbie: The first time I met her, it felt like she wasn’t past it at all. Sebastian [Stan, who plays Harding’s ex-husband] met Jeff, so I said to him, “The one thing that upset me more than anything was that it’s not a forgotten time in her life, that it still seems very fresh. Was it like that with Jeff?”

And Sebastian said, “No. Not at all.” He said that he felt like Jeff had completely moved on and that it was a long-lost chapter in his life. I found that heartbreaking — he got to move on and she didn’t. And now when I speak to her, I feel like she’s leaving it behind her. I wouldn’t speak on her behalf, but it feels like she’s found some closure.

Gallery Links:
Photoshoots & Portraits > Photoshoots in 2018 > The Envelope
Magazine Scans > 2018 > The Envelope



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