Welcome message

Welcome to Simply Margot Robbie at simply-margot.com. Your leading source dedicated to gorgeous and talented Margot Robbie. Our goal is to bring you all the latest in Margot news, including her upcoming movies and more. We bring you all the oldest and newest images from her movies, candids, appearances captures, magazine scans and more..you name it you have it! If you'd ever like to donate any picture, send us an email, you will receive full credit for your donations! Whatever you're here for, we hope you find something to interest you and hope you choose to return soon.

Latest images

March 9, 2018 — By

The Australian actress wears a Karl Lagerfeld-designed gown for her first Best Actress nomination.

As if Oscar day wasn’t big enough for Aussie actress Margot Robbie, who was attending the show as a nominee for Best Actress for her starring role in I, Toyna, on top of that immense honor, Chanel announced on the same day she has become an ambassador for the iconic French fashion house.

To begin their partnership, the first-time nominee is expected to wear a custom Chanel Haute Couture dress made by Karl Lagerfeld himself. The actress’ stylist Kate Young said on Saturday that she wanted Robbie’s look for the Oscars to highlight her youth and be “very cool and representative of her as a person.

The intricate gown took more than 550 hours of work, according to Chanel, and is worn with Chanel Fine Jewelry as well as Chanel makeup. Said Young, “Sometimes evening gowns for the Oscars can be aging, in a way, with heavy embroidery or heavy jewelry. The embroidery on this dress is really modern and interesting.

She also hinted that Robbie’s wearing diamonds for the occasion, “because I love the energy into big stones.” Wearing large stones, she added, can make one “look like the Queen of England in a hot second, so part of it was finding diamonds that felt cool and authentic.


Gallery Links:
– Photoshoots & Portraits > Photoshoots in 2018 > #013 Chanel

– Screencaptures > Photoshoots > Chanel – 2018

March 3, 2018 — By

Margot Robbie is featured in the March issue of the German magazine ZeitDigital scans from the issue together and the photoshoot have now been added to the gallery. Check them out!

Gallery Links:

February 24, 2018 — By

THE ENVELOPE – “I, Tonya,” the Craig Gillespie-directed biopic about Tonya Harding, the figure skater banned from competition for life for her connection to a 1994 attack on fellow skater Nancy Kerrigan, has brought its stars — Margot Robbie, who plays an unsinkable Harding, and Allison Janney, as her sharp-tongued mother, LaVona — Oscar nominations, critical acclaim and, not surprisingly, a newfound love for the Winter Olympics. “We’re watching men’s half-pipe,” reports Robbie, jet-lagged and talking via speakerphone while sitting alongside Janney in a London hotel room. “We’re just mesmerized.”

The pair were in town to attend the BAFTAs, where they were both nominees. Before heading off to a party, they took time out to talk about the film’s more nuanced examination of Harding’s life (domestic violence, the skating world’s contempt for her working-class roots), Janney’s annoying parakeet costar and the reaction Robbie, an “I, Tonya” producer, had during her initial reading of Steven Rogers’ script.

It’s so easy to dismiss these characters and their feelings. But by the end of it, I was devastated, angry and frustrated for them. I’d laugh out loud at something, then immediately feel disgusted with myself that I found it funny,” says Robbie. “To be able to let those feelings creep up on you, instead of being told to feel them? That’s a real art form.”

Parsing what’s true or false is a daily struggle of late. How much do you believe your characters?

Robbie: I knew we’d never know exactly how it went down. Twenty years later, everyone had completely different recollections of the same thing. Truth and reality had parted ways. My character’s truth was not necessarily the reality of the situation. But her version of the truth was far more interesting to me than the facts.

Janney: What made it so fun was the juxtaposition of everyone’s truth. You see LaVona throw a knife at her daughter, then cut to me saying, “What family doesn’t have their ups and downs?” Her truth was that she was a good mother, she gave her daughter an opportunity, and her daughter screwed it up by picking the [wrong] man. Where the reality is? I don’t know.

Talk about one of the villains of the film: The classist United States Figure Skating Assn.

Robbie: Real-life Tonya has been very vocal in past interviews about her feeling that she never had a chance with them to begin with. I really wanted the character to be constantly seeking validation from people who wouldn’t give it to her — her mom, her husband, the skating association. The more they rejected her, the more it mattered to her that they accept her.

For all her ghastly parenting, Tonya’s tippling, four-times married mother has a few tiny glimmers of humanity.

Janney: Steven peppered them in there, thankfully, because otherwise she’d be too much to take. There’s a scene in the diner, the one where Tonya, needing her mother, comes to her and you get a glimpse of what [LaVona’s] childhood must have been like. You see a woman disappointed by life and who was probably abused, because abuse tends to be cyclical. She’s filled with resentment and anger, who doesn’t know how to love or be loved. That was a very redemptive moment for me.

Margot, you met with Tonya in Portland just before production began. What were you hoping to learn?

Robbie: I didn’t go there with a list of questions or holes in my backstory that I needed to fill in. I wanted to meet just out of respect for her. There’s an added feeling of responsibility and obligation when you tell a real life person’s story. But I also wanted her to know that I was going to be playing a character in a film. The most helpful thing was watching her talk about her son, which she was very quick to do. She loves her son and has found a peace in her life with her family.

Allison, walk us through the scenes where LaVona, hooked up to an oxygen tank, addresses the camera while a scene-stealing parakeet is perched on her shoulder.

Janney: It was all done in one afternoon. The bird was fascinated with that breathing tube, and he started pecking at it. I knew I couldn’t stop. We didn’t have another day to [film those scenes]. So I just kept talking. He kind of fueled me with his constant pecking. It was so much fun to do: What I was imagining was that I was speaking to God or whoever is going to determine whether [LaVona] goes to heaven or hell. My side of it was, “Well, I gave that girl everything.”

Were either of you surprised when Tonya recently told ABC that she “knew something was up” before the attack?

Robbie: Not necessarily. The way I played the character, and this isn’t based on fact, but just a personal decision, was that she probably heard [her ex-husband] Jeff and [his friend] Shawn coming up with schemes all the time, crazy things, and she never took any of that seriously, because it never came to fruition.

Allison, you didn’t meet Tonya until the L.A. premiere, correct?

Janney: She came up to me at the after-party and said, “You nailed my mother.” Steven told me that was the only thing [Tonya and Jeff] agreed on, how LaVona was. I felt happy to have her approval and also very, very sad. So I gave her a hug and said, “Thank you for saying that and sorry for having to go through everything you went through.”

Margot, you and Tonya keep in touch. Have you noticed a difference since the film was released?

Robbie: The first time I met her, it felt like she wasn’t past it at all. Sebastian [Stan, who plays Harding’s ex-husband] met Jeff, so I said to him, “The one thing that upset me more than anything was that it’s not a forgotten time in her life, that it still seems very fresh. Was it like that with Jeff?”

And Sebastian said, “No. Not at all.” He said that he felt like Jeff had completely moved on and that it was a long-lost chapter in his life. I found that heartbreaking — he got to move on and she didn’t. And now when I speak to her, I feel like she’s leaving it behind her. I wouldn’t speak on her behalf, but it feels like she’s found some closure.

Gallery Links:
Photoshoots & Portraits > Photoshoots in 2018 > The Envelope
Magazine Scans > 2018 > The Envelope

February 18, 2018 — By

Margot Robbie attended the EE British Academy Film Awards Nominees Party held at Kensington Palace in London, England. She was looking gorgeous in a Chanel Spring 2018 collection dress with Gianvito Rossi Portfino 105 gold sandals (thanks to DressLikeMargot for the infos!).

Gallery Links:
Public Appearances > Appearances from 2018 > February 17 │ EE British Academy Film Awards Nominees Party
Photoshoots & Portraits > Photoshoots in 2018 > #008 Bafta Nominees Party Portraits
Candids > Candids in 2018 > Feb 17 │Exiting the Pre BAFTA party at Mark’s club in London

February 17, 2018 — By

PEOPLE – Margot Robbie has had a lot of memorable moments in the past twelve months, due in large part to her involvement in I, Tonya, the dark comedy she produced and starred in about disgraced former figure skating champ, Tonya Harding.

Through her work on the film, for which she received her first-ever Oscar nomination, Robbie has become friendly with Harding and throughout the film’s run has shared in several very happy moments with the former figure skater. According to Robbie, the most memorable of them all was a chance meeting she saw between Harding and cult movie icon Tommy Wiseau.

“The craziest thing I’ve witnessed was watching Tonya Harding meeting Tommy Wiseau from The Room,” Robbie tells PEOPLE. “Seeing that collision of worlds was like mind boggling, I was like ‘Oh wow, only in Hollywood.’”

Although the actress has now attended multiple awards shows, the one thing she is still trying to master is having the perfect expression ready for when TV cameras pan to her during live broadcasts.

“It’s so awkward when the camera pans to you during an awards show,” she says. “You’re trying to have the appropriate level of excitement on your face without looking manic on screen. What’s going through my head at the time? I’m probably just wondering when the next meal is going to be served, if they’re going to serve food, most of the time they don’t.”

For more on Robbie and the other Oscar nominees check out PEOPLE’s Oscar portfolio photographed by Luis Sanchis in this week’s issue, on newsstands Friday.

Gallery Links:

Magazine Scans > 2018 > People Magazine

Photoshoots & Portraits > Photoshoots in 2018 > #007 People Magazine

Simply Margot Robbie is a non-profit fansite. It is not official and has no affiliation with Margot Robbie herself, her family, friends or management. All pictures, videos and other media are copyright to their respective owners, no copyright infringement is ever intended. If there is anything on this site that belongs to you and you'd like me to take down, please e-mail us and we will do so.